Essay --

Rodrigo Csar is the cancer that grows within Rodrigo Ferreira.From the graven craft base tradition where very little space was left for new ideas and approaches to the mediums employd (sand, ice, snow, wood, stone, among others), that Ferreira was involved with for over eleven years Csar lifts the obscure and crawls outside into this serviceman he didnt born in provided grows in.Csar comes to be rupturing with this set of skills and knowledge of Ferreiras mainly practical past, but as strong strong visual media based experience, in a constant search for whats ahead in the distance, passing thru the dark with his arm stretched, palpably towards the uncertain. presently working in a variety of media, his practice spans into installation, performance, video and sound.With the use of found objects and materials detoured from their route and extracted from a day-to-day context. Csar challenges and questions, with the use of juxtaposition and appropriation of the symbols carried w ithin the collected objects, in the shape of a site responsive installation, the logic of a capitalist c... Essay -- Rodrigo Csar is the cancer that grows within Rodrigo Ferreira.From the sculptural craft based tradition where very little space was left for new ideas and approaches to the mediums used (sand, ice, snow, wood, stone, among others), that Ferreira was involved with for over eleven years Csar lifts the veil and crawls outside into this world he didnt born in but grows in.Csar comes to be rupturing with this set of skills and knowledge of Ferreiras mainly practical past, but as well strong visual media based experience, in a constant search for whats ahead in the distance, passing thru the dark with his arms stretched, palpably towards the uncertain.Currently working in a variety of media, his practice spans into installation, performance, video and sound.With the use of found objects and materials detoured from their route and extracted from a day-to-day c ontext. Csar challenges and questions, with the use of juxtaposition and appropriation of the symbols carried within the collected objects, in the shape of a site responsive installation, the logic of a capitalist c...